The Taking of Christ, Caravaggio

Caravaggio (Michelangelo Merisi), ‘The Taking of Christ’, 1602.

Michelangelo Merisi da Caravaggio (Italian, 1571-1610)

The Taking of Christ, 1602

Oil on canvas, 133.5 x 169.5 cm
On indefinite loan to the National Gallery of Ireland from the Jesuit Community, Leeson St., Dublin who acknowledge the kind generosity of the late Dr. Marie Lea-Wilson, 1992
L.14702

 

Throughout history, very few artists have caused as radical a change in pictorial perceptions as Caravaggio. From the moment his talent was discovered, he swiftly became the most famous painter of his time in Italy, as well as a source of inspiration for hundreds of followers throughout Europe.

The Taking of Christ was painted by Caravaggio for the Roman Marquis Ciriaco Mattei at the end of 1602, when he was at the height of his fame. Breaking with the past, the artist offered a new visual rendering of the narrative of the Gospels, reducing the space around the three-quarter-length figures and avoiding any description of the setting. All emphasis is directed on the action perpetrated by Judas and the Temple guards on an overwhelmed Jesus, who offers no resistance to his destiny. The fleeing disciple in disarray on the left is St John the Evangelist. Only the moon lights the scene: although the man at the far side is holding a lantern, it is in reality an ineffective source. In that man's features Caravaggio portrayed himself, at the age of thirty one, as a passive spectator of the divine tragedy.


Further Resources

 

View a selection of Italian Paintings

Researching Caravaggio at the National Gallery of Ireland